{"id":1431,"date":"2020-11-18T11:46:14","date_gmt":"2020-11-18T14:46:14","guid":{"rendered":"https:\/\/www.chiledoc.cl\/en\/?p=1431"},"modified":"2021-06-01T11:50:15","modified_gmt":"2021-06-01T15:50:15","slug":"idfa-country-focus-chile","status":"publish","type":"post","link":"https:\/\/www.chiledoc.cl\/en\/idfa-country-focus-chile\/","title":{"rendered":"IDFA Country Focus: Chile"},"content":{"rendered":"<p>Source:<br \/>\n<a href=\"https:\/\/www.moderntimes.review\/idfa-country-focus-chile\/\" rel=\"noopener noreferrer\" target=\"_blank\">Modern Times Review<\/a><\/p>\n<p>The International Documentary Festival Amsterdam kicks off its festival today through 6 December 2020 (online market shave been open since Monday, 16 November already). With the world\u2019s documentary industry descending (digitally) on the Dutch capital, each country brings their best and brightest non-fiction content to IDFA in various forms. This year, Modern Times Review puts a focus on the Chilean Delegation, who have several projects within Official Selection capacity, as well as available for meetups and \u00abDocs For Sale\u00bb.<\/p>\n<p>There are six films or VR projects associated with Chile as part of the IDFA 2020 Official Selections. Amongst them, the world premiere of Francina Carbonell\u2019s The Sky is Red, which looks at the fire at the San Miguel prison in Santiago that left 81 inmates dead and a trial without culprits. Arica, a co-production with Sweden, Belgium, Norway, United Kingdom, examines continental Europe\u2019s largest transnational corporate responsibility trial. Maite Alberdi\u2019s renowned, Goya-Award-nominated The Mole Agent screens as part of IDFA \u00abBest of Fests\u00bb as does Ana Edwards Mundo. A very interesting project comes in the form of Ancestral Secret, an immersive VR project where the ancestral wisdom of the Q\u2019ero community of Peru joins with VR to reveal its worldview; a magical journey that redefines the relationship between humanity and Mother Earth. Finally, Nicol\u00e1s Tabilo joins \u00abIDFA Academy\u00bb with Drifting Images as he tries to recover the voice of a child who is lost at the mouth of a river looking for his mother.<\/p>\n<p>Aside from the Official Selections, Chile will also bring 5 films to IDFA Industry Meetings. Amongst them are Mar\u00eda Paz Gonz\u00e1lez and Nicole B\u00f6ck Dupont\u2019s Ancacoy and Tana Gilbert\u2019s Malqueridas. Finally, coming via Docs for Sale are another five films including Paola Castillo\u2019s Frontera \u2013 profiling indigenous Mapuche leader Juan Carlos \u2013 and Violeta Paus\u2019s Dok Leipzig screened Water Silhouettes \u2013 on conflicts related to fresh water on the Chilean territory.<\/p>\n<p>Below, you will find the complete list of Chilean productions and co-productions that will feature across IDFA 2020. For an added perspective, Modern Times Review also spoke with the Director of ChileDoc \u2013 a public-private alliance between the Chilean Documentary Corporation CCDoc and ProChile, subject to the Ministry of Foreign Affairs \u2013 Diego Pino Anguita.<\/p>\n<p><strong>IDFA 2020 Official Selections:<\/strong><\/p>\n<p>&#8211; The Sky is Red (dir. Francina Carbonell; prod. Gabriela Sandoval, Francina Carbonell) \u2013 IDFA Competition for First Appearance<br \/>\n&#8211; Arica (dir. Lars Edman, William Johansson Kal\u00e9n; prod. Andreas Rocksen, William Johansson) \u2013 Frontlight IDFA<br \/>\n&#8211; The Mole Agent (dir. Maite Alberdi; prod. Marcela Santib\u00e1\u00f1ez) \u2013 Best of Fests IDFA<br \/>\n&#8211; Mundo (dir. Ana Edwards; prod. Ana Edwards) \u2013 Best of Fests IDFA<br \/>\n&#8211; Ancestral Secret VR (dir. Francisca Silva, Mar\u00eda Jos\u00e9 D\u00edaz; prod. Mar\u00eda Jos\u00e9 D\u00edaz) \u2013 DocLab Forum<br \/>\n&#8211; Drifting Images (dir. Nicol\u00e1s Tabilo; prod. Felipe Garrido) \u2013 IDFA Academy<\/p>\n<p><strong>Industry Meetup: Chilean Delegation:<\/strong><br \/>\n&#8211; Ancacoy (dir. Mar\u00eda Paz Gonz\u00e1lez, Nicole B\u00f6ck Dupont; prod. Macarena Aguil\u00f3, Nicole B\u00f6ck Dupont)<br \/>\n&#8211; Bastard. The Legacy of a Criminal (dir. Pepe Rovano; prod. Clara Taricco, Antonia Valenzuela)<br \/>\n&#8211; The Fabulous Gold Harvesting Machine (dir. Alfredo Pourailly; prod. Francisco Herv\u00e9)<br \/>\n&#8211; Malqueridas (dir. Tana Gilbert; prod. Paola Castillo)<br \/>\n&#8211; Pir\u00f3polis (dir. Nicol\u00e1s Molina; prod. Jos\u00e9phine Schr\u00f6eder)<\/p>\n<p><strong>Docs for Sale<\/strong><br \/>\n&#8211; Correspondence (dir. Dominga Sotomayor, Carla Sim\u00f3m; prod. Mar\u00eda Zamora, Dominga Sotomayor, Carla Sospedra)<br \/>\n&#8211; The Other One (dir. Francisco Bermejo; prod. Francisco Herv\u00e9)<br \/>\n&#8211; Frontera (dir. Paola Castillo: prod. Paola Castillo)<br \/>\n&#8211; The Villa Project (dir. Edison C\u00e1jas, Daniela Contreras; prod. Daniela Contreras)<br \/>\n&#8211; Water Silhouettes (dir. Violeta Paus; prod. Violeta Paus)<\/p>\n<p>Find more information about the complete Chilean representation at IDFA 2020 by downloading their official catalogue \u2013 <a href=\"https:\/\/www.moderntimes.review\/wp-content\/uploads\/2020\/11\/ChileDoc-Catalogue-IDFA2020.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">Chiledoc Catalogue &#8211; IDFA 2020<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Source: Modern Times Review The International Documentary Festival Amsterdam kicks off its festival today through 6 December 2020 (online market shave been open since Monday, 16 November already). With the world\u2019s documentary industry descending (digitally) on the Dutch capital, each country brings their best and brightest non-fiction content to IDFA in various forms. This year, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1431"}],"collection":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/comments?post=1431"}],"version-history":[{"count":5,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1431\/revisions"}],"predecessor-version":[{"id":2230,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1431\/revisions\/2230"}],"wp:attachment":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/media?parent=1431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/categories?post=1431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/tags?post=1431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}