{"id":1791,"date":"2021-04-15T10:14:16","date_gmt":"2021-04-15T14:14:16","guid":{"rendered":"https:\/\/www.chiledoc.cl\/en\/?p=1791"},"modified":"2021-06-01T11:49:40","modified_gmt":"2021-06-01T15:49:40","slug":"chilean-documentaries-set-for-strong-visions-du-reel-cphdox-showing","status":"publish","type":"post","link":"https:\/\/www.chiledoc.cl\/en\/chilean-documentaries-set-for-strong-visions-du-reel-cphdox-showing\/","title":{"rendered":"Chilean documentaries set for strong Visions du R\u00e9el &#038; CPH:DOX showing"},"content":{"rendered":"<p>By Steve Rickinson | <a href=\"https:\/\/www.moderntimes.review\/chilean-documentaries-set-for-strong-visions-du-reel-cphdox-showing\/\">Modern Times Review<\/a><br \/>\nApr 12, 2021<\/p>\n<p>With both <strong>Visions du R\u00e9el<\/strong> and <strong>CPH:DOX<\/strong> imminent, Chile has set its selections for both prestigious international events.<\/p>\n<p>Visions du R\u00e9el kicks off on Thursday, 15 April through Sunday, 25 April in an online form, while CPH:DOX goes from Wednesday, 21 April to Wednesday, 12 May in a hybrid format. With the world\u2019s documentary industry descending (mostly digitally) on both Nyon &#038; Copenhagen, the Chilean Delegation is no different.<\/p>\n<p>For Visions du R\u00e9el, Chile brings Tana Gilbert\u2019s Malqueridas to its Pitch Du Reel forum. In Malqueridas, women in prison reconstruct their experience of motherhood through videos and photographs captured with their forbidden cell phones while serving their sentences. Then, at its Film Market, Franciso Bustamante\u2019s Laura, Fernando Saldivia\u2019s The Roots Weaver, Juan Francisco Riumall\u00f3\u2019s Onkel G\u00fcnter, Juan Francisco Cox\u2019s The Last Wind, Nelson P\u00e9rez\u2019s And Only Love Resurrects and Andrei Eichin\u2019s Messages From Sydney, join Paola Castillo\u2019s 2020 effort Frontera. <\/p>\n<p>At CPH:DOX, Chile will be represented in the CPH Lab by the 15 minute short VR project, Symbiotica. Taking place via an online interactive VR hub and a series of AR filters, participants in Symbiotica are able to embody different microorganisms.<\/p>\n<p>At both festivals, the Chilean Delegation will present several projects in development. Both festivals see Breaking the Brick and Cagliostro: The Film Poet. For Visions du R\u00e9el these projects are joined by Isabel Reyes\u2019s In the Shade of Light, the exploration of Chilean neoliberalism Oasis, and the extraterrestrial Alien Island. For CPH:DOX, the IDFA Academy Project Award winner Drifting Images features, we well as Sunny Side of the Doc (2019) Best Digital Experience winner Ancestral Secret VR, and Lorenzo Aillap\u00e1n and Roberto Riveros\u2019s Wenuywen join Gilbert\u2019s Malqueridas.<\/p>\n<p>Below, you will find the complete list of Chilean productions and co-productions that will feature across Visions du R\u00e9el and CPH:DOX 2021.<\/p>\n<p><strong> Pitch du Reel <\/strong><br \/>\n&#8211; Malqueridas (dir. Tana Gilbert; prod. Paola Castillo) \u2013 2022<\/p>\n<p><strong> Chilean Delegation \u2013 VdR <\/strong><br \/>\n&#8211; Breaking the Brick (dir. Carola Fuentas, Rafael Valdeavellano; prod. Carola Fuentas, Rafael Valdeavellano) \u2013 2021<br \/>\n&#8211; Cagliostro: The Film Poet (dir\/prod. Orlando Torres) \u2013 2021<br \/>\n&#8211; In the Shade of Light (dir. Isabel Reyes; prod. Ignacia Merino) \u2013 2021<br \/>\n&#8211; Oasis (dir. Tamara Uribe, Felipe Morgado; prod. Alba Gaviraghi, Diego Pino Anguita) \u2013 2021<br \/>\n&#8211; Alien Island (dir. Crist\u00f3bal Valenzuela ; prod. Diego Breit) \u2013 2021<\/p>\n<p><strong> Film Market \u2013 VdR <\/strong><br \/>\n&#8211; Laura (dir. Francisco Bustamante; prod. Titi Viera-Callo) \u2013 2021<br \/>\n&#8211; Border (dir\/prod. Paola Castillo) \u2013 2020<br \/>\n&#8211; The Roots Weaver (dir\/prod. Fernando Saldivia \u2013 2020<br \/>\n&#8211; Onkel G\u00fcnter (dir. Juan Francisco Riumall\u00f3; prod. Soledad Millar, Juan Francisco Riumall\u00f3 ) \u2013 2020<br \/>\n&#8211; Messages from Sydney (dir. Andrei Eichin; prod. Anderi Eichin, Felipe Garrido) \u2013 2021<br \/>\n&#8211; The Last Wind (dir. Juan Francisco Cox; prod. Claudio Pino) \u2013 2022<br \/>\n&#8211; And Only Love Resurrects (dir. Nelson P\u00e9rez; prod Felipe Garrido) \u2013 2022<\/p>\n<p><strong> CPH LAB <\/strong><br \/>\n&#8211; Symbiotica (dir. Natalia Cabrera, Juan Ferrer, Sebasti\u00e1n Gonz\u00e1lez; prod. Sebasti\u00e1n Gonz\u00e1lez) \u2013 2021<\/p>\n<p><strong> Chilean Delegation \u2013 CPH:DOX <\/strong><br \/>\n&#8211; Cagliostro: The Film Poet (dir\/prod. Orlando Torres) \u2013 2021<br \/>\n&#8211; Drifting Images (dir. Nicol\u00e1s Tabilo; prod. Felipe Garrido, Bettina Walter) \u2013 2023<br \/>\n&#8211; Malqueridas (dir. Tana Gilbert; prod. Paola Castillo) \u2013 2022<br \/>\n&#8211; Breaking the Brick (dir. Carola Fuentas, Rafael Valdeavellano; prod. Carola Fuentas, Rafael Valdeavellano) \u2013 2021<br \/>\n&#8211; Ancestral Secret VR (dir. Francisca Silva, Mar\u00eda Jos\u00e9 D\u00edaz; prod. Mar\u00eda Jos\u00e9 D\u00edaz) \u2013 2021<br \/>\n&#8211; Wenuywen (dir. Lorenzo Aillap\u00e1n, Roberto Riveros; prod. Denisse Castillo) \u2013 2021<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Steve Rickinson | Modern Times Review Apr 12, 2021 With both Visions du R\u00e9el and CPH:DOX imminent, Chile has set its selections for both prestigious international events. Visions du R\u00e9el kicks off on Thursday, 15 April through Sunday, 25 April in an online form, while CPH:DOX goes from Wednesday, 21 April to Wednesday, 12 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1791"}],"collection":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/comments?post=1791"}],"version-history":[{"count":4,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1791\/revisions"}],"predecessor-version":[{"id":2229,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/1791\/revisions\/2229"}],"wp:attachment":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/media?parent=1791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/categories?post=1791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/tags?post=1791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}