{"id":3196,"date":"2022-05-17T18:50:26","date_gmt":"2022-05-17T22:50:26","guid":{"rendered":"https:\/\/www.chiledoc.cl\/en\/?p=3196"},"modified":"2022-05-23T18:50:35","modified_gmt":"2022-05-23T22:50:35","slug":"chilean-pics-on-tap-at-cannes-2022","status":"publish","type":"post","link":"https:\/\/www.chiledoc.cl\/en\/chilean-pics-on-tap-at-cannes-2022\/","title":{"rendered":"Chilean Pics on Tap at Cannes 2022"},"content":{"rendered":"<p>By <strong><a href=\"https:\/\/variety.com\/2022\/film\/global\/chilean-pics-cannes-2022-1235269418\/\" rel=\"noopener noreferrer\" target=\"_blank\">Variety<\/a><\/strong>.<\/p>\n<p>Following, some potential Chilean highlights at Cannes:<\/p>\n<p><strong>\u201cBeautiful Yet Mortal\u201d (\u201cBella Cosa Mortal\u201d), Nicol\u00e1s Postiglione<\/strong><\/p>\n<p>An Oro Films-Whisky Content co-production about star-crossed lovers in an ultra-traditional German community in Southern Chile, from the director of the acclaimed \u201cImmersion.\u201d To shoot in late 2022.<\/p>\n<p><strong>Breaking and Entering\u201d (\u201cAllanamiento\u201d), Tom\u00e1s Gonzalez Matos<\/strong><\/p>\n<p>From Sanfic Industry Goes to Cannes, a police procedural where the deputy commissioner of the investigative police unit asks the commissioner to enter the prosecutor\u2019s office and dispose of recordings implicating them in drug trafficking, torture and corruption. In post.<\/p>\n<p><strong>\u201cConditional,\u201d Alvaro Diaz<\/strong><\/p>\n<p>A youth comedy from Juntos Films following Esteban who, in order to impact the girl he fancies, runs for president of his school\u2019s student union. To his chagrin, he\u2019s elected.<\/p>\n<p><strong>\u201cLand of Savages\u201d (\u201cSalvajes\u201d) Fernando Guzzoni <\/strong><\/p>\n<p>Produced by Pablo Larrain\u2019s Fabula, a thriller set in 1830 Chile centering on a slave owner haunted by nightmares and his dark past. When awake, he must face a mounting abolitionist movement that threatens his power and fortune.<\/p>\n<p><strong>\u201cLuminescence,\u201d Roberto Zamora<\/strong><\/p>\n<p>An eco-themed Suimanga Films production. In 2077 a woman carries a plant with her late girlfriend\u2019s memories to an altar in the forest. Overcome by suppressed grief, she succumbs to her emotions.<\/p>\n<p><strong>\u201cOur Memory\u201d (\u201cNuestra Memoria\u201d), Mat\u00edas Rojas Valencia<\/strong><\/p>\n<p>A docu-fiction hybrid. The story of an elderly couple, survivors of the sect Dignity Colony, intersects with that of a former agent of  Pinochet\u2019s  dictatorship in search of redemption. In post.<\/p>\n<p><strong>\u201cPenal Cordillera,\u201d Felipe Carmona<\/strong><\/p>\n<p>Produced by Cinestacion, a drama about the five most notorious torturers of Pinochet\u2019s dictatorship who are serving hundreds of years in a high-end prison. When authorities tell them that they\u2019re being transferred, they do everything in their power to stay put, unleashing chaos and violence. In post.<\/p>\n<p><strong>\u201cThe Birds\u201d (\u201cLos P\u00e1jaros\u201d), Sebastian Mu\u00f1oz<\/strong><\/p>\n<p>Produced by Marcela Santibanez\u2019s Fantasma, the drama turns on four women whose disparate lives intersect.<\/p>\n<p><strong>\u201cThe Embassy\u201d (\u201cLa Embajada\u201d), Mateo Iribarren<\/strong><\/p>\n<p>Drama from Santa Cruz Prods. At Chile\u2019s embassy in London, Ignacio finds his father\u2019s diaries, explaining his suicide.<\/p>\n<p><strong>\u201cThe Island of Seagulls\u201d (\u201cLas Gaviotas\u201d), Sebastian Ayala<\/strong><\/p>\n<p>LGBTQ-themed drama from Bruno Bettati\u2019s Jirafa. A young boy from Valpara\u00edso discovers a new family as he explores his artistic gifts and gender identity.<\/p>\n<p><strong>\u201cThe Mysterious Gaze of the Flamingo\u201d (\u201cLa Misteriosa Mirada del Flamenco\u201d), Diego Cespedes<\/strong><\/p>\n<p>An LGBTQ-themed drama set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other. A young girl tries to protect her brother, a suspected carrier of the disease, from looming violence.<\/p>\n<p><strong>\u201cWe Call Ourselves the People\u201d (\u201cNos Volvemos a Llamar Pueblo\u201d), Colectivo Sabotaje<\/strong><\/p>\n<p>Doc-feature reflecting the voices and images of an incensed nation bent on change, set during Chile\u2018s 2019 social unrest.<\/p>\n<p><strong>\u201cYou Tell Me\u201d (\u201cD\u00edmelo T\u00fa\u201d), Jacqueline Pepall<\/strong><\/p>\n<p>A Clara Films comedy. When Florencia\u2019s estranged father wakes from a coma with 20 years of memories erased, she is given a second chance to salvage their relationship. But she must choose between coming out to him again or not \u2013 and risk losing her fianc\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Variety. Following, some potential Chilean highlights at Cannes: \u201cBeautiful Yet Mortal\u201d (\u201cBella Cosa Mortal\u201d), Nicol\u00e1s Postiglione An Oro Films-Whisky Content co-production about star-crossed lovers in an ultra-traditional German community in Southern Chile, from the director of the acclaimed \u201cImmersion.\u201d To shoot in late 2022. Breaking and Entering\u201d (\u201cAllanamiento\u201d), Tom\u00e1s Gonzalez Matos From Sanfic Industry [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/3196"}],"collection":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/comments?post=3196"}],"version-history":[{"count":1,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/3196\/revisions"}],"predecessor-version":[{"id":3197,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/3196\/revisions\/3197"}],"wp:attachment":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/media?parent=3196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/categories?post=3196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/tags?post=3196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}