{"id":6018,"date":"2024-12-19T08:57:44","date_gmt":"2024-12-19T11:57:44","guid":{"rendered":"https:\/\/www.chiledoc.cl\/en\/?p=6018"},"modified":"2025-01-09T17:46:25","modified_gmt":"2025-01-09T20:46:25","slug":"chiledoc-was-present-at-the-most-important-international-industry-meeting-for-latin-american-documentaries","status":"publish","type":"post","link":"https:\/\/www.chiledoc.cl\/en\/chiledoc-was-present-at-the-most-important-international-industry-meeting-for-latin-american-documentaries\/","title":{"rendered":"Chiledoc Participated in Conecta, the Leading Latin American Market for Regional Documentaries"},"content":{"rendered":"

\u25cf This year, Conecta received 332 applications<\/strong> from 18 Latin American countries<\/strong>, of which 73<\/strong> documentary projects<\/strong> were selected.<\/strong> Additionally, 79 international industry representatives<\/strong> participated, representing 28 countries from America, Europe, and Asia.<\/strong><\/p>\n

\u25cf\u00a0Chiledoc facilitated the participation of three key guests<\/strong> for the Chilean documentary focus: Tiago Ornaghi<\/strong> from Globoplay (Brazil), Renato Manganello<\/strong> from Utopia Docs (Brazil\/Portugal), and Jean-Jacques Peretti<\/strong> from Sunny Side of the Doc (France).<\/p>\n

\u25cf The Chilean documentary sector brand hosted the opening ceremony<\/strong> of this meeting, aimed at connecting regional documentary filmmakers with industry representatives from all over the world. <\/p>\n

\u25cf\u00a0Chiledoc<\/strong> also presented the research findings on the internationalization of Chilean documentary films.<\/strong><\/p>\n

\u25cf In Conecta 2024, 17 awards were given<\/strong> to documentary projects from 14 countries<\/strong> around the world.<\/p>\n

\"\"<\/p>\n

Industry Representatives Invited by Chiledoc:<\/strong><\/ins><\/p>\n

Tiago Ornaghi – Brazil<\/a><\/strong>
\nContent Manager for Documentaries and Documentary Series at Globoplay., Tiago Ornaghi graduated in TV and film screenwriting at the School of Visual Arts (2006) and the New York Film Academy (2007). He has a Master\u2019s degree in Journalism from Columbia University (2017).<\/p>\n

Renato Manganello – Brazil\/Portugal<\/a><\/strong>
\nSpecializes in the distribution of documentaries. In 2019, he founded the international documentary sales agency Utopia Docs. His professional experience includes international film distribution with companies based in Sao Paulo, Los Angeles, and Europe.<\/p>\n

Jean-Jacques Peretti – France<\/a><\/strong>
\nEditorial Coordinator of\u00a0Sunny Side of the Doc. Studied Film and Literature in France and the US. He worked for many years in documentary production at companies such as Les Films d\u2019Ici, among others, before joining Sunny Side of the Doc in 2002. He also collaborates as an expert with various international festivals and markets.<\/p>\n

Internationalization of Chilean Documentary Films: Results and Challenges<\/strong><\/ins><\/p>\n

Chiledoc<\/strong> presented the results of an online survey <\/strong>conducted among Chilean audiovisual companies to gather data on the internationalization and commercialization<\/strong> of national documentaries between 2022 and 2023. <\/p>\n

Key findings included the four countries with which Chile co-produces<\/strong> the most: France, Colombia, Germany, and Argentina.<\/strong> Additionally, the research revealed that co-productions<\/strong> generate the highest revenues,<\/strong> accounting for 76.2%<\/strong> of the total. The survey also highlighted an increase<\/strong> in the fees paid<\/strong> by festivals, reflecting a greater interest in Chilean productions<\/strong>. A notable example is The Eternal Memory by Maite Alberdi, which was nominated for an Oscar and won a Goya.<\/strong><\/p>\n

\u00abChilean documentaries have significant international reach. There are many reasons for this, such as the quality of their narrative and artistic proposals. While the quality of Chilean documentaries has always been outstanding, today there is a new generation refreshing the scene and proposing new ideas. It is a cinema that takes risks, broadens its language, and explores new ways of storytelling,\u00bb<\/em> points out Paula Ossand\u00f3n, Chiledoc\u2019s Director.<\/p>\n

\"\"<\/p>\n

The projects awarded in Conecta are:<\/strong><\/ins><\/p>\n

\ud83c\udfc6Special Jury Mention for the FIDOCS First Cut Award<\/strong>
\n(For projects selected in Docs in Progress FIDOCS + Conecta)<\/em>
\n\u2728Hombres perdidos
\n\u2728Lost Men<\/em><\/strong>
\nCosta Rica \/ Guatemala
\nDirector: Andr\u00e9s Madrigal
\nProducers: Sof\u00eda Meza Herrera and Felipe D\u00edaz
\nSee more<\/a><\/p>\n

\ud83c\udfc6FIDOCS First Cut Award<\/strong>
\n(For projects selected in Docs in Progress FIDOCS + Conecta)<\/em>
\n\u2728Ni\u00f1as escarlata
\n\u2728Scarlet Girls<\/em><\/strong>
\nDominican Republic
\nDirector: Paula Cury
\nProducers: Samuel Didonato and Natalia Imaz
\nSee more<\/a><\/p>\n

\ud83c\udfc6Cineteca Nacional Award
\n\u2728La vida que vendr\u00e1
\n\u2728 The Life That Will Come’<\/em><\/strong>
\nChile \/ Colombia
\nDirector: Karin Cuyul
\nProducers: Jos\u00e9phine Schroeder and Jer\u00f3nimo Atehort\u00faa
\nSee more<\/a><\/p>\n

\ud83c\udfc6SONAMOS Award
\n\u2728La vida que vendr\u00e1
\n\u2728 The Life That Will Come’<\/em><\/strong>
\nChile \/ Colombia
\nDirector: Karin Cuyul
\nProducers: Jos\u00e9phine Schroeder and Jer\u00f3nimo Atehort\u00faa
\nSee more<\/a><\/p>\n

\ud83c\udfc6Cannes Docs Award<\/strong>
\n\u2728Hombres perdidos
\n\u2728Lost Men<\/em><\/strong>
\nCosta Rica \/ Guatemala
\nDirector: Andr\u00e9s Madrigal
\nProducers: Sof\u00eda Meza Herrera and Felipe D\u00edaz
\nSee more<\/a><\/p>\n

\ud83c\udfc6Mediocielo Films Award
\n\u2728 La sed del viento
\n\u2728 The Wind\u2019s Thirst<\/em><\/strong>
\nColombia \/ Canada
\nDirector: Alejandro Valbuena
\nProducer: Vanessa C\u00e1ceres
\nSee more<\/a><\/p>\n

\ud83c\udfc6The Whickers Award
\n\u2728Fosfo
\n\u2728Phospho<\/em><\/strong>
\nMexico
\nDirector: Humberto Busto and Guz Guevara
\nProducer: Abril L\u00f3pez
\nSee more<\/a><\/p>\n

\ud83c\udfc6DocsMX Award
\n\u2728El arte de perder el tiempo
\n\u2728The Art of Wasting Time<\/em><\/strong>
\nChile
\nDirector: Camila Toro Cortez
\nProducers: Daniel D\u00edaz Oyarz\u00fan and Esteban Sandoval Carrasco
\nSee more<\/a><\/p>\n

\ud83c\udfc6DocsMX Award
\n\u2728Canales Australes
\n\u2728Southern Channels<\/em><\/strong>
\nChile
\nDirectors: Pilar Higuera Valencia and Crist\u00f3bal Arenas Rebolledo
\nProducer: Juan Francisco Gonz\u00e1lez
\nSee more<\/a><\/p>\n

\ud83c\udfc6Sheffield Doc Fest Award
\n\u2728El arte de perder el tiempo
\n\u2728The Art of Wasting Time<\/em><\/strong>
\nChile
\nDirector: Camila Toro Cortez
\nProducers: Daniel D\u00edaz Oyarz\u00fan and Esteban Sandoval Carrasco
\nSee more<\/a><\/p>\n

\ud83c\udfc6DocSP Award
\n\u2728Detr\u00e1s de la taza
\n\u2728Beyond the Cup<\/em><\/strong>
\nMexico\/ Colombia\/ Brazil\/ Vietnam\/ Ethiopia\/ Indonesia
\nDirector: Alex Noppel
\nProducer: Gibran Cervantes
\nSee more<\/a><\/p>\n

\ud83c\udfc6ADOC Award
\n\u2728Bad Light<\/em><\/strong>
\nArgentina
\nDirector: Paula Martel
\nProducers: Paula Martel and Francisco Novick
\nSee more<\/a><\/p>\n

\ud83c\udfc6IDA Award
\n\u2728Anna Borges do Sacramento<\/strong>
\nBrazil \/ Spain
\nDirector: A\u00edda Esther Bueno
\nProducers: Rafael Sampaio and Wendy P. Espinal
\nSee more<\/a><\/p>\n

\ud83c\udfc6IDA Award
\n\u2728Grietas
\n\u2728Cracks<\/em><\/strong>
\nPeru
\nDirector: Alberto Flores
\nProducer: Walter Manrique
\nSee more<\/a><\/p>\n

\ud83c\udfc6Documenta Sur Award
\n\u2728El silencio de los tel\u00e9fonos
\n\u2728The Silence of Telephones<\/em><\/strong>
\nChile
\nDirector: Christian Sinclair Garmendia
\nProducer: David Guzm\u00e1n
\nSee more<\/a><\/p>\n

\ud83c\udfc6Albatros Post Award
\n\u2728El arte de la guerra
\n\u2728The Art of War<\/em><\/strong>
\nPeru
\nDirectors: Grecia Barbieri and Gonzalo Benavente
\nProducer: Carolina Denegri
\nSee more<\/a><\/p>\n

\ud83c\udfc6Sunny Side of the Doc Award
\n\u2728La Sombra de Yol\u00fcja
\n\u2728The Shadow of Yol\u00fcja<\/strong>
\nColombia
\nDirectors: Hanz Rippe and Fernanda Pineda
\nProducers: Fernanda Pineda
\nSee more<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u25cf This year, Conecta received 332 applications from 18 Latin American countries, of which 73 documentary projects were selected. Additionally, 79 international industry representatives participated, representing 28 countries from America, Europe, and Asia. \u25cf\u00a0Chiledoc facilitated the participation of three key guests for the Chilean documentary focus: Tiago Ornaghi from Globoplay (Brazil), Renato Manganello from Utopia […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/6018"}],"collection":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/comments?post=6018"}],"version-history":[{"count":14,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/6018\/revisions"}],"predecessor-version":[{"id":6382,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/posts\/6018\/revisions\/6382"}],"wp:attachment":[{"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/media?parent=6018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/categories?post=6018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chiledoc.cl\/en\/wp-json\/wp\/v2\/tags?post=6018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}